THESE KITTENS SCRATCH!

The IFC Center in New York City is hosting a rare screening of Russ Meyer’s cult drive-in clasic, Faster, Pussycat! Kill! Kill! (1966) on Monday July 26 at 8pm.  Tura Satana, Haji, and Lori Williams star as three rough tough busty go-go girls on a thrill ride that leads to murder.  See the below clip of one of the many catfights herein:

httpv://www.youtube.com/watch?v=mqnRok1Fvk0

Below is an excerpt with my interview with pretty blonde Lori Williams from my book Drive-in Dream Girls:

Though she danced in a number of popular films, the one that will go down in infamy is the Russ Meyer cult classic Faster, Pussycat!  Kill! Kill!  This low budget movie filmed in glorious black and white for an estimated budget of $45,000, was done entirely on location outside of Los Angeles.  Williams was cast as the go-go dancing Billie, a hot blonde thrill seeker out for kicks who goes on a wild melee with her fellow dancers Tura Satana as the tough, menacing Varla and Haji as the exotic Rosie. “I was with the Paul Konar Agency and had a pretty good agent,” recalls Williams.  “For whatever reason, Russ Meyer cast Tura Satana and Haji after seeing them dancing in clubs.  Tura had some minor acting credits but I believe Haji did not.  [Haji actually co-starred in Meyer’s Motorpsycho! released in 1965.]  Meyer wanted the blonde to be a completely different type.  For my role and the Sue Bernard role of the kidnapped teenager he wanted to get ‘an actress.’  He put a call out to the agents and Pat Konar sent me to the interview.  It was like a big cattle call.  After I got the third callback there were just a few of us left.  Russ wasn’t going to hire me because I wasn’t busty enough.  I wasn’t really a ‘Meyer girl.’  But he liked my look and form and said we’d work it out somehow. 

The character of Varla intimidates her cohorts just like off-screen Tura Satana intentionally or not intimidated her co-stars.  Being of Japanese and Cherokee heritage, Satana is incredible in appearance and makes an imposing figure clad all in black—never smiling.  According to Lori, “I was scared to death of Tura who is a phenomenal woman and had an amazing life.  But she really was a tough chick.  She argued with Meyer constantly.  When I saw Russ—who is hard to take on—back down a few times from her I thought, ‘Whoa, this lady is not to be tangled with.’  At one point, she didn’t want to do a scene a certain way.  She slammed her hand against some railroad equipment and broke her hand.  This was enough to frighten anybody.  Off camera, I kind of hid a lot with Sue Bernard.  I felt I was out of my realm around Tura and if I made her mad she’d whip me.  But she was very nice to me and I never had any problem with her I think because I kept my distance.”

CAROL LYNLEY AS JEAN HARLOW

Been toiling away on my new proposed book Dueling Harlows: Race to the Silver Screen. It is the back story of the productions of both 1965 screen biographies that came to the big screen within weeks of each other with the same title: Harlow. From the feuding rival producers, to the casting problems from a leading lady being let go weeks before filming to a co-star walking out a day before, to the rush productions to be the first movie released.  It was a battle with David vs Goliath proportions with Paramount’s showman Joe Levine with his Harlow starring Carroll Baker vs. upstart Bill Sargent with Electronovision’s Harlow with Carol Lynley.

In tribute below is a clip from Electronovision’s Harlow shot in 8 days!

httpv://www.youtube.com/watch?v=O3RbEtlJWlk

SAY IT AIN’T SO CAROL

Recently it has come to light that Carol Lynley was offered and turned down the role of Valene Ewing on TV’s Dallas.  The show was filming on location in Dallas around summertime 1978 (after its brief run in the spring) and due to a personal comittment Lynley could not accept the role in the two-part episode “Reunion.” This was not Carol’s first big career mistake. Prior she turned down the role of Jack Nicholson’s sister-in-law in the acclaimed Five Easy Pieces (1970) because the producers were only paying scale.

There has been much message board chatter about Carol Lynley vs Joan Van Ark as Valene. Though I am a huge Carol fan and met Van Ark in person who did not impress me in the least, I agree with my friend that Carol would have handled the victimization of Valene on the Dallas episodes but not so sure if she would have excelled enough as Van Ark did to carry the spinoff series Knot’s Landing. What do you think? Post your comments if you have an opinion.

As a footnote when Lorimar Productions (who made Dallas and Knots Landing) came a-calling a second time Carol Lynley jumped at the chance to play the lead in Willow B: Women in Prison (1981) a TV pilot cashing in on the popularity of the hit Australian series Prisoner: Cell Block H that aired in late night. Alas Willow B was not picked up as a series.

SURF’S UP

In my book Hollywood Surf & Beach Movies the only surf movie documentary I profiled was The Endless Summer (1966), which became a huge hit with mainstream audiences.  Of course, it launched a host of imitators trying to replicate its success but most never found an audience beyond the core surfing crowd.  One of them is Follow Me (1969) just released on DVD. Three surfers travel the globe to find the perfect wave backed by the songs of Dino, Billy & Desi!. Below is a link to Cinema retro’s review and a clip of the movie’s trailer:

http://www.cinemaretro.com/index.php?/archives/4734-DVD-REVIEW-FOLLOW-ME-SURFS-ON-TO-DVD.html#extended

httpv://www.youtube.com/watch?v=j1_v25oBpYk