Get GET-TV

One of my favorite new TV channels is Get TV. Though it does have commercial breaks, it airs movies in wide screen format and does not edit out any scenes. The channel has access to Columbia Pictures library stock and concentrates on films from the ‘40’s, ‘50’s, and ‘60’s. I recently watched the lush sudsy soap opera Diamond Head (1963). Fun in the sun, as island big shot and hypocrite Charlton Heston freaks out when his headstrong sister Yvette Mimieux becomes engaged to Hawaiian native James Darren (such realistic casting–not). Heston though has a secret Hawaiian mistress France Nuyen who he has knocked up. I also watched some forgotten flicks such as the surprisingly good off-beat teenage exploitation movie Life Begins at 17 (1958) with Mark Damon and Luana Anders; and the dullsville rock musical Two Tickets to Paris (1962) with Joey Dee (resembling a pudgier less attractive Sal Mineo) and Jeri Lynn Frazer (a very poor man’s Deborah Walley).

kissWhat I was most excited to see though was the 1966 spy spoof Kiss the Girls and Make Them Die a.k.a. Se tutte le donne del mond0, directed by Dino Maiuri and Henry Levin. Produced by Dino De Laurentiis, the Italian-Portuguese co-production had a nice size budget for a Euro Spy Movie and was beautifully shot on location in Brazil. In this entertaining film, the great Michael Connors played an American CIA agent named Kelly in Rio de Janeiro on assignment to investigate mysterious suave industrialist Mr. Ardonian (Raf Vallone whom I always like) who has perfected a satellite that emits ultrasonic waves that can sterilize mankind. In cahoots with the Red Chinese, he plans to target the U.S only but he double crosses them with his determination for worldwide domination to make up for his implied impotence. While monitoring Ardonian, Kelly learns that is has collected a stable of unsuspecting beautiful women including Nicoletta Macchiavelli, Beverly Adams, and Margaret Lee who he freezes and plans to use to repopulate the planet with him. At first Kelly assumes Brit Susan Fleming (the less great Dorothy Provine clad in over-the-top mod fashions) is just another one of Ardonian’s girlfriends. She is aided by a trusting and resourceful chauffeur (Terry-Thomas). They agree to work together to bring him down. Ardonian discovers that Susan is a spy and Kelly saves her from becoming part of his “hibernation harem” before dispatching of the madman.

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Kiss the Girls and Make Them Die is colorful and fast moving fun. Mike Connors makes a very convincing secret agent and no wonder was snagged for Mannix shortly after this. As Susan Fleming, Provine’s forced British accent is off-putting and annoying. Even so, Provine acquits herself quite well as a prim and proper spy who doesn’t use a gun but relies on some outlandish gadgets (including a mascara tube that emits knockout gas and a ring laced with poison) to waylay her enemies. Provine also displays quite a voluptuous figure when she strips down to her jungle shorts outfit though she is outclassed by some of the film’s other shapely beauties amongst them American starlet Beverly Adams (next seen as Lovey Kravezit in The Silencers and 2 additional Matt Helm spy flicks). She appears briefly as Karin who suffers the wrath of Ardonian when she decides to get married to another man. Before the nuptials can take place, she is killed by a poisonous snake concealed in a beautiful frilly white boa given to her as a wedding gift from Ardonian.

The only other thing that annoyed me about this movie was the musical score a mixture of Latin rhythms with sort of standard sixties spy music. This and Provine’s accent aside, Kiss the Girls and Make Them Die ranks as one of the better Euro Spy movies that I have seen and for me stands right up there with In Like Flint in the arena of James Bond copycats.

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HAPPY BELATED BIRTHDAY

To my friend and former 1960s starlet Gail Gerber (1937-2014). Gail lives on her in beach and Elvis movies and her award-winning memoir Trippin’ with Terry Southern: What I Think I Remember. We miss you Gail!

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Coming in 2015!

 

PTBlogPamela Tiffin: Hollywood to Rome, 1961-1974 pays tribute to the stunning beauty that is Pamela Tiffin. Critics adored her. James Cagney hailed her “remarkable flair for comedy.” Turner Classic Movies dubbed her “Hollywood’s favorite air-headed ingénue in the Sixties.” Yet super stardom evaded her due to contractual obligations and self-imposed exiles in New York and then Rome, though she remains a cult Sixties icon to this day.

Dark-haired Pamela Tiffin debuted in 1961’s Summer and Smoke adapted from the Tennessee Williams play. She then emerged as a scene-stealing comedienne in Billy Wilder’s classic satire One, Two, Three with Cagney, before she became the teen queen of teenage camp in State Fair; Come Fly with Me; two with James Darren – For Those Who Think Young & The Lively Set; and The Pleasure Seekers. After landing a sexy adult role opposite Paul Newman in Harper where the bikini-cad Tiffin jiggled the diving board into Sixties cinema infamy, she went blonde and ran away to Italy. There she starred in sex comedies including Kiss the Other Sheik; The Blonde in the Blue Movie; and The Archangel; a giallo The Fifth Cord, and the western Deaf Smith & Johnny Ears. During her career, her leading men also included Laurence Harvey, Bobby Darin,Tony Franciosa, Burt Lancaster, Marcello Mastroianni, Nino Manfredi, Vittorio Gassman, Peter Ustinov, Franco Nero, and Anthony Quinn.

Not a biography, this book is a career retrospective of Pamela Tiffin’s movies plus TV and stage appearances. Interviewees (including Hugh O’Brian, Lada Edmund, Jr., Carole Wells, Tim Zinnemann, Martin West, Jed Curtis, Eldon Quick, Peter Gonzales, and Larry Hankin) provide a behind-the-scenes look of some of her most popular movies listed above and The Hallelujah Trail; Straziami, ma di baci saziami; and Viva Max. Plus noted film historians Dean Brierly, Roberto Curti, Howard Hughes, and Paolo Mereghetti weigh in on Pamela Tiffin’s place in cinematic history.

 

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