55 Years Ago Today…

It Happened at the World’s Fair opened starring Elvis Presley, Joan O’Brien, Gary Lockwood, and Yvonne Craig.  This is a glossy musical comedy shot on location at the Seattle World’s Fair. Presley played Mike Edwards a pilot-for-hire who, after jilting a luscious small town girl (Craig) whose father chases him off with a shotgun, heads to the Fair with his gambling-loving partner Danny Edwards (Lockwood) to get work so they can earn enough money to reclaim their airplane that has been repossessed. There Mike becomes involved with a precocious seven-year-old Chinese girl Sue-Lin (Vicky Tiu) left in the boys’ care by her farmer father and a pretty nurse named Diane Warren (O’Brien) who he’d rather spend time with though she plays hard to get.

Joan O’Brien recalled working with the King in my book Fantasy Femmes of Sixties Cinema:

“The first day of filming was a madhouse. When I arrived at the World’s Fair, I saw Elvis whom I had never met before over the heads of all these people. You talk about crowds! It was unbelievable. People everywhere! After we finished the first morning’s sequences they had an electric car for Elvis and me to use. They had to set up barricades and use hundreds of policemen to hold back the crowds just to get us out of there. We then went for lunch to some building that had this huge empty exhibition hall. They dropped us off, locked the door, and posted more policemen outside.”

Though Elvis did serenade Joan throughout the film, she found these scenes to be “tedious and hard because he had all the action and I felt awkward. It was very difficult for me—I don’t know about other actresses—to be aware of the camera, pay attention to him, and try to look all dreamy-eyed and in love. I felt like I had egg on my face most of the time.”

52 Years Ago Today…

Frankie and Johnny opened starring Elvis Presley, Donna Douglas, Sue Ane Langdon (who previously worked with Elvis in Roustabout), Anthony Eisley, and Nancy Kovack. A bit different than the typical Elvis film, Frankie and Johnny was based loosely on the classic folk song.  Set on a Mississippi gambling-showboat circa 1865, it featured Elvis as Johnny a singer and gambler who loves Frankie (Douglas) but she refuses to marry him until he gives up gambling. Together they perform on a showboat owned by Clint Braden (Eisley). Johnny tries to give up gambling but a fortune teller reveals that a beautiful redhead will soon enter his life and change his luck.  Things get complicated when the redhead turns out to be Nellie Bly (Kovack) the former lover of Braden. Frankie becomes jealous of Nellie who is only using Johnny to get Braden to marry her and Braden becomes jealous of Johnny. Amidst this complicated quadrangle, Langdon livens up the proceedings as Mitzie, Frankie’s ditzy lovelorn showgirl friend.

“I truly enjoyed my part of Mitzi in Frankie and Johnny,” says Langdon“I had a great time with that role. I didn’t notice any change with Elvis. He seemed pretty much the same—still a very nice guy.  Donna Douglas was of interest to him at that time and he was spending a lot of time with her.  I just hung out with the guys on the set like I did on Roustabout.  Whenever you were with Elvis for the most part you were with his entourage.  Those guys were always around but they were all very nice.  I really had a great time working with Elvis but I don’t think he was that comfortable appearing in movies.  He was much more relaxed as a singer on stage…”

https://www.youtube.com/watch?v=5yz-uSxZFJU

Read more of my interview with cover girl Sue Ane Langdon in my book Drive-In Dream Girls.

 

 

52 Years Ago Today…

Harper opened. This hard-boiled detective yarn starred Paul Newman as a gumshoe hired by the icy paralyzed Lauren Bacall to investigate the disappearance of her hated wealthy husband and the father of her stepdaughter Pamela Tiffin. There are a lot of red herrings in this mystery played by the likes of Arthur Hill, Robert Webber, Julie Harris, Robert Wagner, Strother Martin, and Shelley Winters. As the sex-starved heiress Miranda, Tiffin almost steals the film with her seductive dance in a bikini atop a diving board. As the hated daughter and stepmother Elaine, Tiffin and Bacall have a number of great catty moments, which were superbly acted. After hearing that Miranda has been rejected by private pilot(Wagner), Elaine maliciously quips to Miranda, “I should think you’d be accustomed to not being loved by now.”  Miranda responds, “I love your wrinkles.  I revel in them.” When an unmoved Elaine learns that her husband has been murdered, she calls out to Miranda in a singsong voice, “Miranda!  Mommy has something to tell you!”

Pamela described Paul Newman as being “attractive, professional, and a car lover.” She added, “I was veryimpressed with Lauren Bacall but she was very tense and stand-offish. Since Paul Newman likes to rehearse, we gathered around a long table and ran lines for a week, if not more. Everyone was there except Lauren Bacall because she wanted to be the big movie star. I couldn’t be angry at her or feel slighted because I thought she was fascinating!”

Read more in my McFarland and Co. book Pamela Tiffin: Hollywood to Rome, 1961 – 1974.

50 Years Ago Yesterday…

Wild Racers opened starring Fabian and Mimsy Farmer. He is arrogant race car driver Joe Joe Quillico who calls himself “Joe Joe Quillico, King of the Hillico. They call me Joe Joe, because I have the mojo.” After being banned from NASCAR racing in the U.S. due to an accident he caused, he has moved abroad to compete in Formula One and sports car prototype racing on the European Grand Prix circuit. She is a tourist who hooks up with him and follows from race to race.

This was the only film Mimsy Farmer did for AIP that was not a hit with the drive-in crowd. Though featuring great racing sequences comparable to Grand Prix and Le Mans, the film directed by Daniel Haller may have been too artsy for the typically teenage and drive-in audience. The quick edits and off-camera conversations over nicely shot racing footage may have been bit much for them. However, this stylized approach is what makes the movie way above average. It is also buoyed by the interesting mix of French pop songs by Pierre Vassiliu with a bouncy music score by Mike Curb, and from the fine performances from the two leads. Fabian, who with his boyish looks, makes Joe Joe likable despite his self-centered attitude and Mimsy Farmer, with her short hair worn in a small pony tail, is adorably sweet and innocent as the girl who almost tames him.

Read more about Mimsy Farmer in my BearManor Media book Talking Sixties Drive-In Movies.