Tom Lisanti

Frankie and Johnny opened starring Elvis Presley, Donna Douglas, Sue Ane Langdon (who previously worked with Elvis in Roustabout), Anthony Eisley, and Nancy Kovack. A bit different than the typical Elvis film, Frankie and Johnny was based loosely on the classic folk song.  Set on a Mississippi gambling-showboat circa 1865, it featured Elvis as Johnny a singer and gambler who loves Frankie (Douglas) but she refuses to marry him until he gives up gambling. Together they perform on a showboat owned by Clint Braden (Eisley). Johnny tries to give up gambling but a fortune teller reveals that a beautiful redhead will soon enter his life and change his luck.  Things get complicated when the redhead turns out to be Nellie Bly (Kovack) the former lover of Braden. Frankie becomes jealous of Nellie who is only using Johnny to get Braden to marry her and Braden becomes jealous of Johnny. Amidst this complicated quadrangle, Langdon livens up the proceedings as Mitzie, Frankie’s ditzy lovelorn showgirl friend.

“I truly enjoyed my part of Mitzi in Frankie and Johnny,” says Langdon. “I had a great time with that role. I didn’t notice any change with Elvis. He seemed pretty much the same—still a very nice guy.  Donna Douglas was of interest to him at that time and he was spending a lot of time with her.  I just hung out with the guys on the set like I did on Roustabout.  Whenever you were with Elvis for the most part you were with his entourage.  Those guys were always around but they were all very nice.  I really had a great time working with Elvis but I don’t think he was that comfortable appearing in movies.  He was much more relaxed as a singer on stage…”

https://www.youtube.com/watch?v=5yz-uSxZFJU

Read more of my interview with cover girl Sue Ane Langdon in my book Drive-In Dream Girls.

Harper opened. This hard-boiled detective yarn starred Paul Newman as a gumshoe hired by the icy paralyzed Lauren Bacall to investigate the disappearance of her hated wealthy husband and the father of her stepdaughter Pamela Tiffin. There are a lot of red herrings in this mystery played by the likes of Arthur Hill, Robert Webber, Julie Harris, Robert Wagner, Strother Martin, and Shelley Winters. As the sex-starved heiress Miranda, Tiffin almost steals the film with her seductive dance in a bikini atop a diving board. As the hated daughter and stepmother Elaine, Tiffin and Bacall have a number of great catty moments, which were superbly acted. After hearing that Miranda has been rejected by private pilot(Wagner), Elaine maliciously quips to Miranda, “I should think you’d be accustomed to not being loved by now.”  Miranda responds, “I love your wrinkles.  I revel in them.” When an unmoved Elaine learns that her husband has been murdered, she calls out to Miranda in a singsong voice, “Miranda!  Mommy has something to tell you!”

Pamela described Paul Newman as being “attractive, professional, and a car lover.” She added, “I was veryimpressed with Lauren Bacall but she was very tense and stand-offish. Since Paul Newman likes to rehearse, we gathered around a long table and ran lines for a week, if not more. Everyone was there except Lauren Bacall because she wanted to be the big movie star. I couldn’t be angry at her or feel slighted because I thought she was fascinating!”

Read more in my McFarland and Co. book Pamela Tiffin: Hollywood to Rome, 1961 – 1974.

Wild Racers opened starring Fabian and Mimsy Farmer. He is arrogant race car driver Joe Joe Quillico who calls himself “Joe Joe Quillico, King of the Hillico. They call me Joe Joe, because I have the mojo.” After being banned from NASCAR racing in the U.S. due to an accident he caused, he has moved abroad to compete in Formula One and sports car prototype racing on the European Grand Prix circuit. She is a tourist who hooks up with him and follows from race to race.

This was the only film Mimsy Farmer did for AIP that was not a hit with the drive-in crowd. Though featuring great racing sequences comparable to Grand Prix and Le Mans, the film directed by Daniel Haller may have been too artsy for the typically teenage and drive-in audience. The quick edits and off-camera conversations over nicely shot racing footage may have been bit much for them. However, this stylized approach is what makes the movie way above average. It is also buoyed by the interesting mix of French pop songs by Pierre Vassiliu with a bouncy music score by Mike Curb, and from the fine performances from the two leads. Fabian, who with his boyish looks, makes Joe Joe likable despite his self-centered attitude and Mimsy Farmer, with her short hair worn in a small pony tail, is adorably sweet and innocent as the girl who almost tames him.

Read more about Mimsy Farmer in my BearManor Media book Talking Sixties Drive-In Movies.

…Come Fly with Me opened. Pamela, Tiffin, Dolores Hart, and Lois Nettleton portray stewardesses who fly the New York to Paris and Vienna routes. Hart is a gold digger who thinks she has landed a rich handsome baron in Karl Boehm but he is broke and using her unwittingly to smuggle diamonds. As the innocent virgin, Pamela competes for playboy co-pilot Hugh O’Brian with his married lover Dawn Addams. While the jaded though wiser Nettleton lands widowed tycoon Karl Malden without realizing he is loaded.

“I remember Hugh O’Brian was always busy being a playboy,” said Pamela Tiffin. “He played a playboy in the movie and lived it fully in real life! Dolores Hart and I had some nice conversations. She is a warm, decent, and vulnerable woman. Dolores had some unhappy experiences in love matters. And if I’m not mistaken, she was ending one up at the time. She told me the story and was still very upset about it. She said she was going to enter a convent. And at that time I couldn’t understand it. I said, ‘Oh, but you don’t want to, Dolores!’ Now I understand it.  So there she is.”

Read more behind-the-scenes stories in my book Pamela Tiffin:Hollywood to Rome, 1963-1974.

https://www.youtube.com/watch?v=rrKK5TRZ_94