55 years ago today…

the Grade-Z horror movie [amazon_textlink asin=’B00005MKNQ’ text=’The Slime People’ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’94ca5759-bc0f-11e8-9d60-bf4603ff3171′] opened starring Robert Hutton, Les Tremayne, Judee Morton, and in her first feature role Drive-In Dream Girl [amazon_textlink asin=’B00KK6E1LS’ text=’Susan Hart ‘ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’a57df63a-beaf-11e8-9383-af6aae6e5e4c’]who talked about making the movie.

When asked how she landed this role, Hart answered facetiously, “Just luck I guess.” Robert Hutton, who also produced and directed [amazon_textlink asin=’B00005MKNQ’ text=’The Slime People’ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’c5d805b4-bc0f-11e8-8261-d1cdf278664b’]went to Hart’s agent and several other agents and asked if they had anybody on their rosters suitable for the role of Gwen. “All Bill Schuyler told me about it was that it was a reading for lead in a motion picture,” revealed Hart. “At that point I still did not know the title of the film. But I did know it was going to star Robert Hutton, whom I remember my sister Helen thought was just a fabulously handsome man. I read for the role in the morning. I went to lunch with a friend and when I arrived home around four o’clock I got a call from my agent telling me that I got the part. Not only did I get a role but also my roommate, Judee Morton, was cast as my little sister. It was incredible!  Even after I found out the title I thought this was still a pretty good opportunity.”

[amazon_textlink asin=’B00005MKNQ’ text=’The Slime People’ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’cff65a8d-bc0f-11e8-a85c-49565fcceab5′] was shot at KTLA Studios. After about nine days of filming, the cast stopped getting paid and the make-up man left. However, Hart proved to be a trouper and continued with the production. She even did her own make-up. Despite these misfortunes, Susan does not look back on this film with any bad memories. “Everybody connected to this was really nice. Don Hansen was the name of the man who financed the film. As I recall, he always wore a Fedora and owned a lot of dry cleaners. Robert Hutton knew I didn’t have any experience doing films and he couldn’t have been nicer or more helpful. He practically told me every move to make and taught me about hitting your mark.”

In [amazon_textlink asin=’B00005MKNQ’ text=’The Slime People’ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’131d3569-bc10-11e8-a4ad-7136e2e087c3′], nuclear testing decimates Los Angeles leaving the city enshrouded in a blanket of fog. A small group of survivors try to make it out of the deserted metropolis while battling subterranean creatures roused from hibernation. Robert Hutton stars playing a hot shot pilot with Robert Burton as a professor and Hart and Morton as his daughters. One of the films many unintentional laughs is that despite the fact that she is being terrorized and chased by the Slime People, Hart’s character Gwen keeps on her four-inch high heel shoes and never lets go of her oversize black pocketbook. “Isn’t that funny? I think I still have that purse around my home somewhere. We were given something like eighteen dollars to pick out our own wardrobe. Judee and I went to Orbach’s and it was my decision to buy those shoes and purse. Those shoes killed my feet, which were never the same again.

“A man Tracey Putnam played the doctor in this,” continued Hart. “He was an actual doctor and had discovered a drug which keeps Epileptics from going into seizures. His stepson, Jock Putnam, played one of the Slime People and talked his stepfather into playing one of these roles. It was a riot to see Jock and the other actor who played the Slime People sitting on the set smoking a cigarette. You’d see smoke pouring out of all of the orifices of these gigantic costumes.”

The ad copy for [amazon_textlink asin=’B017UKRJG0′ text=’The Slime People’ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’33defbe2-bc10-11e8-9080-db0339998697′] proclaimed, “Up from the Bowels of the Earth Come …The Slime People.” Needless to say, the film did not receive rave reviews. It is no wonder then Hart tried to distance herself from the as much as she could. “Now talking about The Slime People is fun,” admitted Hart. “But a few years after making it I kept thinking that The Slime People was a terrible movie to be associated with. It wasn’t very good and didn’t play in many theaters. The reviews weren’t very good if it even got reviewed at all.” To keep journalists from asking about the film, when Hart landed one of the lead roles in her fourth movie, Ride the Wild Surf (1964), it was touted as a first starring role.

Hart would then go on to land a contract with AIP and then a husband, one of the studio’s founders Jack H. Nicholson. Her subsequent work included the features Pajama Party; War-Gods of the Deep; [amazon_textlink asin=’B008FYZHPG’ text=’Dr. Goldfoot’ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’54e80302-bc10-11e8-bddf-a9c0ede8f7f4′] and the [amazon_textlink asin=’B000RLB25O’ text=’Bikini Machine’ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’6750fe7b-bc10-11e8-bb96-ed2e0d9b406f’]; and [amazon_textlink asin=’B000RLB272′ text=’The Ghost in the Invisible Bikini ‘ template=’ProductLink’ store=’sixtiescinema-20′ marketplace=’US’ link_id=’71237dbb-bc10-11e8-89de-7d53b0c847eb’]before she retired to raise her son.

Read more about Susan Hart in my book Drive-In Dream Girls.

 

Dueling Harlows Feud On

One of my biggest regrets was that I never shared by book Dueling Harlows: Race to the Silver Screen with any publishers because I thought there would be minimal interest so I self-published. It is one of most popular books and most reviewed on Amazon (and I do agree with some of the criticisms). Here is the latest.

Customer Review
5.0 out of 5 starsEnthralling!!
ByJennifer M. Cisickon August 13, 2018
Format: Paperback
Although the 60’s genre is not typically “my cup of tea”, the 30’s are. Dueling Harlows: Race to the Silver Screen by Tom Lisanti was so enthralling I couldn’t put it down. I am a fan of Jean Harlow (1911-1937) so naturally the title piqued my interest. The two Harlow movies were made in 1965 and Mr. Lisanti did an excellent job of describing in detail the competing movies and their race to the silver screen. He was very thorough in all facets of this book and it was obviously well researched (everything from the preproduction, the filming, the actors’ bios, interviews with those involved, reviews of the movies, description of the plot of both movies, etc.). What I really enjoyed was reading about the aftermath and the follow-up to all persons involved and what they went on to do after the movies were made. I highly recommend this book!

Podcasts, Sixties Cinema Style

I have been busy guesting on a few different podcasts these last couple of weeks.

Usually its my 60s starlets talking sixties drive-in movies but here it is me with Kristen Lopez on her wonderful podcast Ticklish Business talking Girl Happy starring Elvis Presley, Shelley Fabares, Mary Ann Mobley, Gary Crosby &  Chris Noel featured in my BearManor Media Book Talking Sixties Drive-In Movies.

https://ticklishbusiness.podbean.com/e/episode-47-girl-happy-1965/

On The Junot Files, Jim Junot and I talk about my book Talking Sixties Drive-In Movies.

 

https://www.youtube.com/watch?v=qj3lqUeqjGw

And on Forgotten Films, Todd Liebenow and I discuss The Pleasure Seekers (1964) starring Pamela Tiffin, Carol Lynley, Ann-Margret, Tony Franciosa, Gardner McKay, Brian Keith, Gene Tierney, and Andre LAwrence.

Forgotten Filmcast Episode 109: The Pleasure Seekers

Beach Blanket Homo: Gay Moments in ‘60s Beach Movies

The Sixties beach movie craze began with Gidget (1959) starring Sandra Dee and James Darren, a fictionalized look at teenager Kathy Kohner’s surfing escapades in Malibu during the mid-fifties. It was groundbreaking as the movie contributed to the mass influx of surfers to the beaches of Malibu and started a series of surf-themed films such as Gidget Goes Hawaiian with Deborah Walley stepping into Dee’s surfer role and Ride the Wild Surf with Fabian, Shelley Fabares, and Tab Hunter.

The surf movie soon morphed into the beach-party film, whose heyday was from 1963 through 1965, where surfing was only used as a backdrop to fanciful teenage beach adventures. Beach Party from AIP starring Frankie Avalon and Annette Funicello launched the duo in Muscle Beach Party, Bikini Beach, Beach Blanket Bingo, and How to Stuff a Wild Bikini. Soon other studios were releasing their own Beach Party rivals such as Surf Party with Bobby Vinton and Pat Morrow, For Those Who Think Young with James Darren and Pamela Tiffin, and Beach Ball with Edd Byrnes and Chris Noel. Some films varied from the formula by shifting the locale to a lake A Swingin’ Summer, a haunted house The Ghost in the Invisible Bikini, or the ski slopes Ski Party, Winter a-Go-Go, and Wild Wild Winter. These movies for the most part followed a successful simple formula—start with attractive swimsuit clad teenagers twisting on the sand, add a dash of surfing (or ski) footage, mix in romantic misunderstandings, stir in popular musical performers, add aging comedians for comic relief, and whisk in villainous bikers or predatory adults.


Gay subtext crept into a few of the beach-party movies giving these films camp appeal today. Discounting the obvious fact that these sand-and-surf epics were titillation for homosexual men of the time, as good looking shirtless movie hunks such as Jody McCrea, Fabian, Aron Kincaid, James Stacy, and Peter Brown frolic on the sand in swim trunks or the slopes in tight ski pants. Or that gay actors such as Tab Hunter, Tommy Kirk, and Paul Lynde appeared in these movies, there were other factors that probably were not obvious back in the Sixties. Either a director or screenwriter may have tried to slip in with a wink and a nudge to the homosexual community in an unassuming way that made it past the oblivious producers and censors.

The most obvious example is Muscle Beach Party (1964) featuring a clean-cut group of surfers versus a cult of bodybuilders headed by Don Rickle’s Jack Fanny. During the Fifties and Sixties, the public automatically associated bodybuilding with homosexuality because muscle men of the time appeared as objects of desire wearing posing briefs or sometimes nothing at all in physique magazines whose readers were mostly gay men. Writing on the subject, film historian Joan Ormond commented, “Homosexuality in this era was regarded as potentially more damaging to society as the wild antics of surfers.” Hence, the bodybuilders of Muscle Beach Party are seen as the bad guys along the lines of Eric Von Zipper’s motorcycle gang of Beach Party as they are out to corrupt the youth of America.

Though handsome Fabian, Tab Hunter, and Peter Brown pursue beach babes when not in the water in Ride the Wild Surf (1964), there is a strong “homo-erotic undercurrent” throughout. The scenes of these shirtless surfers bonding or comforting each other while tackling the huge waves of Waimea Bay have become gay porn staples. Supposed swinging bachelors Paul Lynde and Woody Woodbury in For Those Who Think Young (1964) come off like two bickering old queens rather than swinging playboys as they frolic on the shore with the surfer crowd headed by James Darren. They even sneak in a Paul Lynde quip while he’s holding two large-sized hot dogs. Keeping with the wiener symbolism, the scene of boyish surfer boy Mike Nader (later “Dex Dexter” on TV’s Dynasty) inserting a frankfurter into the mouth of equally blonde Johnny Fain in Beach Blanket Bingo while Donna Loren sings about an unrequited love is certainly an eyebrow raiser. How to Stuff a Wild Bikini (1965) went a step further with one of the nameless surfers more interested in his books than girls resulting in raised eyebrows and innuendo that he prefers boys whenever he makes a comment. And finally in The Ghost in the Invisible Bikini (1966) while Deborah Wally sleeps alone in a double-size bed, Tommy Kirk shares his with Aron Kincaid.

Winter a-Go-Go (1965), a beach party in the snow, has the obligatory scantily clad ski babes and their horny tight pants wearing boyfriends, which you’d expect to find in this type of film. But what makes the movie especially interesting and an undiscovered camp classic is that it arguably introduces the first major ambiguous gay character to appear in a beach-party type movie. The role of Roger that screenwriter Bob Kanter created for himself is the asexual best friend of socialite Janine (Jill Donohue). Though he travels with her and her friend Dori (Judy Parker) there is no evidence of any current or past romance with either gal. During the course of the film Janine sets her sights on Danny (James Stacy) and Jeff (William Wellman, Jr.) but winds up reuniting with tough guy Burt (Anthony Hayes). Dori makes goo-goo eyes at Frankie (Tom Nardini) throughout the film. Poor Roger—if he is not running to Jeff and Danny for protection from the bullying Burt he just sits there drinking his cokes making catty comments about the proceedings.

Of course, you couldn’t have a beach movie without putting some of the actors in women’s clothes. Scenes of guys dressed in drag dominated three movies. The Girls on the Beach (1965), Martin West, Aron Kincaid, and Steve Rogers make glamorous college girls complete with lip-gloss, false eyelashes, and mascara as they don some coeds’ frocks to sneak out of a sorority house. In Beach Ball (1965) Kincaid was back to wearing a dress (though he was not as fabulous looking as in his prior movie) along with Edd Byrnes, Don Edmonds and Robert Logan as they try to avoid the police at a music fair. And best of all Ski Party (1965), a sort of Some Like It Hot for the teenage crowd, had Frankie Avalon and Dwayne Hickman disguise themselves as British lasses “Jane” and “Nora”, respectively, to infiltrate the opposite sex to learn what women are looking for in a man. In the process, suave Aron Kincaid as ladies man Freddie falls for Hickman’s female persona. At first Hickman finds it annoying but when his girlfriend (Yvonne Craig) keeps giving him grief, he decides to turn back into “Nora” and go out with Freddie because he knows “how to treat a girl.” I bet he does.