Sixties Cinema : Page 134 of 249 : Tom Lisanti's Sixties Cinema

December 31, 2009 by sixties

MONTE HELLMAN PART DEUX

Click here to read the conclusion of the wonderful interview with the cult film director as he discusses Two-Lane Blacktop, Cockfighter, and Sam Peckinpah.

December 30, 2009 by sixties

FREAK FOR CULT FILMS

I love cult movies and TV so I really enjoyed this site called Cult Film Freak. It features some great interviews with an eclectic array of actors from Robbie Rist (Cousin Oliver on The Brady Bunch) to Kelli Maroney (bad seed Kimberly Harris on my fave soap Ryan’s Hope) to action star Yaphet Kotto.

December 29, 2009 by sixties

THE FULL MONTE

Click here to read part one of a just published interview with cult director Monte Hellman from 1988. He is best remembered for his two off-beat 1960s westerns Ride in the Whirlwind and The Shooting both starring ’60s starlet Millie Perkins (pictured) and Jack Nicholson; the classic road movie Two-Lane Blacktop (1971) with Warren Oates, Dennis Wilson of the Beach Boys, and James Taylor; and Cockfighter (1974) with Oates and Perkins.

December 25, 2009 by sixties

MERRY CHRISTMAS!

I and all the Fantasy Femmes, Film Fatales, Drive-in Dream Girls, and the Hollywood Glamour Girls wish everyone a very happy holiday

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Sixties Cinema Books

4 days ago

Classic Hollywood fans, mark your calendars: Turner Classic Movies: TCM is airing Carroll Baker's Harlow (1965)—for the very first time—on Wednesday, May 20 at 8 p.m. EST.

Too bad TCM did not pair it with its rival, Harlow with Carol Lynley. A head-to-head comparison between Baker’s lush, color, big-budget production from producer Joseph E. Levine and Lynley’s stark, black-and-white, low-budget Electronovision experiment from producer William Sargent would have been quite interesting. Same story—completely different visions. Yet neither film truly reveals the full story—nor captures the real Jean Harlow behind the legend.

Discover the full, untold story about the making of the rival biopics in my book: Dueling Harlows: The Race to Bring the Actress’s Life to the Silver Screen from McFarland Publishers. Go behind the scenes of one of Hollywood’s most fascinating rivalries—a publicity war fueled by ambition, ego, and a race against time to bring Jean Harlow’s life to theaters first.

As an added bonus, relive the making of Hughes and Harlow: Angels in Hell (1977) starring Lindsay Bloom as Jean Harlow.

If you love classic film history and Hollywood rivalries, this is a story for you. ... See MoreSee Less

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Sixties Cinema Books

1 week ago

Flying back and forth to Arizona this week and thought, "Boy, have flight attendants changed from the days of Come Fly with Me (1963)," a time where all airline hostesses were single, shapely females all under 30. Here Dolores Hart, Pamela Tiffin, and Lois Nettleton don their Pan-Am uniforms and set out to trap themselves a man while flying the New York to Paris and Vienna routes in this beautifully filmed, entertaining travelogue.

Determined Dolores Hart is a gold digger, and proud of it, who thinks she has snared a wealthy baron, Karl Boehm. Ditzy novice stewardess Pamela Tiffin falls for playboy copilot Hugh O'Brian who has a married woman on the side. And pragmatic Lois Nettleton is attracted to goodhearted widower Karl Malden, unaware that he is a millionaire. And yes, in between their romantic misadventures, they do manage, with style, to serve and take care of their passengers.

Read about the making of the movie in my book, Pamela Tiffin: From Hollywood to Rome, 1961-1974. ... See MoreSee Less

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2 weeks ago

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2 weeks ago

I am a little behind, but I was so saddened to hear that 1960s big-eyed, blonde bombshell Joy Harmon passed away. The lovely actress graced many movies and TV shows from the late 1950s into the early 1970s usually playing the kooky ding-a-ling. Below is a link to a very thorough obit from Mike Barnes in The Hollywood REporter about her (quoting from my interview with Joy for my first book, Fantasy Femmes of Sixties Cinema).

Joy was truly a joy to behold and was just as bubbly in person as she usually was on screen. She invited me to her home for the interview and kept feeding me her homemade baked goods including the most scrumptious chocolate covered strawberries that I ever had.

In 1960s starlet Geil Gerber's memoir, "Trippin' with Terry Southern: What I Think I Remember" from McFarland & Company, Inc., Publishers, she wrote that there were two people that she worked with that Terry Southern wanted to meet and then hit it off with. One was Elvis Presley and the other Joy Harmon, Gail's costar in the cult, Village of the Giants (1965) with Beau Bridges, Tisha Sterling, Johnny Crawford, and Ronny Howard. Gail remarked:

"Terry had met her [Joy] previously on The Loved One ... Joy was a sweet girl, but she was so formidable and so big in so many ways. I was a bit put off by her. But Terry was just drawn to larger-than-life people and thought she was wonderful. Joy was just so full of energy." This also sums up Joy's screen presence. She was always a standout even if her role was no more than a walk-on with a line or two. Her iconic turn in Cool Hand Luke (1967) where she seductively washes her car in front of the chain gang is a testament to the energy she put into all her roles. ... See MoreSee Less

Joy Harmon, the Woman Who Washed the Car in ‘Cool Hand Luke,’ Dies at 87

www.hollywoodreporter.com

She also appeared on Broadway, worked with Groucho Marx on a game show and starred in the films ‘One Way Wahine’ and ‘Village of the Giants.’

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Sixties Cinema Books

1 month ago

Every time I go see a Broadway musical, I flash back to 1975 when in junior high school they took us to see Raisin, my very first Broadway show. But not because of Raisin (which was meh), but because of a commercial aired constantly on the radio:

"Come to the Music Box Theater to see Geraldine Page, Carol Lynley, and Scott McKay in Alan Ayckbourn's Absurd Person Singular, the longest running comedy on Broadway!"

Being a huge Carol Lynley fan, that was the show I wanted to see. And I still recall my disappointment as our school bus passed the Music Box with my face pressed against the window seeing the marquee. I so desperately wanted to see that show and not Raisin. haha

Read more about Carol in Absurd Person singular in my BearManor Media book, Carol Lynley: Her Film & TV Career in Thrillers, Fantasy & Suspense. ... See MoreSee Less

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Sixties Cinema Books

2 months ago

Happy Academy Award Weekend! Back in the day, when the studios knew potential winners would not be attending the ceremony, they would assign actors to accept on their behalf. For the 1963 Academy Awards, Freddie Young was deemed a shoo-in to win Best Color Cinematography for Lawrence of Arabia. He was absent, so Columbia Pictures chose Carol Lynley to accept on his behalf. She was doing double-time at the studio playing a coed living platonically with her boyfriend (Dean Jones) in the sex farce, Under the Yum Yum Tree with Jack Lemmon and playing the ill-fated sister of priest Tom Tryon in Otto Preminger's religious epic, The Cardinal. Love how she was on and off the stage in a flash.

As a side note, about 5 years later after making his quip, Frank Sinatra and Carol would be a couple albeit a short-lived one.

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CAROL LYNLEY Academy Awards Ceremony

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