CATCHING UP WITH SALLI SACHSE…YEARS AFTER THE BEACH PARTY ENDED

I interviewed former 60s starlet Salli Sachse about 12 years ago for my first book Fantasy Femmes of Sixties Cinema. Her name may not be familiar, but to fans of American International Pictures’ series of beach movies her face is easily recognizable. With her waist-long honey brown hair and adorable smile, Salli, literally plucked off the beach in San Diego, appeared in almost every beach party film beginning with Muscle Beach Party (1964) through The Ghost in the Invisible Bikini (1966) and everything else in between including Bikini Beach (1964), Beach Blanket Bingo (1965) and Dr. Goldfoot and the Bikini Machine (1965).

Recalling her time with Frankie Avalon and Annette Funicello, Salli remarked, “Frankie and Annette were very easy going and a pleasure to work with but they weren’t real beach people. Frankie was raised in Philadelphia so I don’t think he ever saw a surfboard in his life! And Annette refused to wear a bikini. She would only wear a one-piece but I think that had something to do with her contract with Walt Disney. Annette was such a straight girl—a good Italian Catholic. Because we grew up on the beach, a lot of us thought we were so cool compared to Frankie and Annette. I remember that on one movie we were filming some beach scenes late in the afternoon. It was really chilly and we were fighting the light. Wrapped in terry cloth robes, a group of us huddled together to keep warm. Carl the prop man handed us a bottle of brandy. We were surprised when Annette took a couple of swigs. She got a bit tipsy and was clowning around. It was the only time I ever saw her let herself go wild.”

When the beach films became passe during the turbulent late sixties, Salli graduated to playing a drag strip groupie in Fireball 500 (1966) to a biker chick in Devil’s Angels (1967) to her most famous role as the LSD freak-out girl opposite Peter Fonda in The Trip (1967) to playing a hippie paramour of rock star Christopher Jones in Wild in the Streets (1968). Unfortunately, along the way there was heartbreak when her husband Peter Sachse tragically died in a plane crash in 1966 while Salli was in Hong Kong filming The Million Eyes of Su-Muru.

Salli chucked her movie career in 1969 to concentrate on modeling then photography then studying art in Europe during the seventies. Returning to the U.S., she earned a Masters in Psychology and became a counselor for “at risk” teens.

In August 2006 Salli was reunited with beach party regulars the late Mary Hughes, Patti Chandler, and Linda Opie for a photo shoot celebrating surf culture in the 1950s and 1960s for Vanity Fair. Below is a photo taken by Salli’s friend while visiting the shoot. Pictured are Mary, Salli, Patti and Linda.

Today Salli Sachse has a new web site where fans can peruse pictures of Salli from her Hollywood and modeling days or purchase her beautiful art work. And she is currently working on her memoir, which should prove to be a very interesting read.


NANCY CZAR…REDISCOVERED

Drive-in Dream Girl Nancy Czar, a former champion figure skater, was a platinum blond beauty (and dead ringer for actress Carroll Baker) who graced a few drive-in movies during the ‘60s. She played a dancer in love with guitar-playing hipster Arch Hall, Jr. in the exploitation cheapie Wild Guitar (1962); a bikini-clad bathing beauty ogled afar by Gary Crosby in Girl Happy (1965); most memorably a bubble-headed sexpot nicknamed Jonesy who joins William Wellman, Jr., James Stacy, Beverly Adams, Julie Parrish, and Linda Rogers to make a ski resort swing in Winter a-Go-Go (1965); and a backstage groupie who kisses Elvis in Spinout (1966).

After playing a coed in obscure youth flick The Wild Scene (1970) Czar disappeared from Hollywood without a trace. Click here to discover what became of the former starlet.

WHAT GOES AROUND, COMES AROUND

It is sad that Dennis Hopper is on his deathbed however click here to read the mess his personal life is in with regards to his wife, adult daughter, and his will. Considering how he and Peter Fonda screwed Terry Southern all those years ago on Easy Rider, it’s fun to see his heirs try to screw each other (and him)!

AND THE GOLDEN GLOBE GOES TO…

My favorite award that used to be bestowed by the Hollywood Foreign Press was for Most Promising Newcomers. From 1954 to 1964 there were multiple winners in the Male and Female categories. Beginning in 1965, there was only one winner in each and then in the early Eighties, the category was changed to New Star of the Year with both actors and actresses vying for the award. The award was scrapped soon after Pia Zadora’s husband alledgedly “bought” the award for her as she won for Butterfly over Kathleen Turner, Elizabeth McGovern, Rachel Ward, Craig Wasson, and Harold Rollins.

Below are the winners and other nominees during the “Starlet” years:
1957
*Sandra Dee – Until They Sail
*Carolyn Jones – Bachelor Party
*Diane Varsi – Peyton Place
Good choices as Jones and Varsi went on to receive Oscar nominations for their performances and Dee did become a major star. My quibble, Jones was no newcomer and had been working in films since 1953.

1958
Joanna Barnes – Auntie Mame
*Linda Cristal – Perfect Furlough
*Susan Kohner – Big Fisherman
*Tina Louise – God’s Little Acre
Carol Lynley – Light in the Forest
France Nuyen – South Pacific
Anybody’s ball game with this batch. Kohner and Louise were excellent choices but Cristal hada disappointing movie career though 10 years later she scored on TV in The High Chapparal.

1959
Diane Baker – Best of Everything
*Angie Dickinson – Rio Bravo
Carol Lynley – Blue Denim
Yvette Mimieux – Platinum High School
*Janet Munro – Darby O’Gill and the Little People
Cindy Robbins – This Earth Is Mine
*Stella Stevens – Say One for Me
*Tuesday Weld – Rally ‘Round the Flag, Boys!
Dickinson was no newcomer and had appeared in over 10 movies since 1954. Lynley became the only actress to get a second shot at the award and should have filled the 4th spot over Munro. Even with 8 nominees Millie Perkins was still snubbed for Diary of Anne Frank and deserved a nod over Robbins or Mimieux.

1960
*Ina Balin – From the Terrace
Jill Haworth – Exodus
Shirley Knight – Dark At the Top of the Stairs
*Nancy Kwan – World of Susie Wong
*Hayley Mills – Pollyanna
Julie Newmar – Marriage-Go-Round
Kwan and Mills were the popular choices but Knight should have won out over Balin though for me Miss Julie Newmar should have won over all of them.

1961
*Ann-Margret – Pocketful of Miracles
*Jane Fonda – Tall Story
*Christine Kauffman – Town without Pity
Pamela Tiffin – One, Two, Three
Cordula Trantow – Hitler
What the hell were they thinking!?! Pamela Tiffin was also nominated in the Best Supporting Actress catefory for her performance and should have won over Kauffman. What the hell is a Cordula Trantow?

1962
*Patty Duke – Miracle Worker
Dahlia Lavi – Two Weeks in another Town
*Sue Lyon – Lolita
Janet Margolin – David and Lisa
Suzanne Pleshette – Rome Adventure
*Rita Tushingham – A Taste of Honey
Good choices though since the Foreign Press liked to bestow one award on a foreign actress I’d take Lavi over Tushingham any day.

1963
*Ursula Andress – Dr. No
Joey Heatherton – Twilight of Honor
*Tippi Hedren – The Birds
Leslie Parrish – For Love or Money
Maggie Smith – The V.I.P.s
*Elke Sommer – The Prize
Foreign Press blew this with giving award to Andress who was dubbed in the spy classic and choosing all over Maggie Smith. Have no idea how Parrish got in there with a supporting role after playing leads beginning with Li’l Abner (1959).

1964
*Mia Farrow- Guns at Batasi
*Celia Kaye – Island of the Blue Dolphin
*Mary Ann Mobley – Get Yourself a College Girl
Save for Mia Farrow, after these ridiculous choices (didn’t anyone hear of Julie Andrews in Mary Poppins?), the category was changed to one winner.