R.I.P. ANNE FRANCIS

Lovely Anne Francis passed away recently and in tribute below is a portion of her profile from my book Film Fatales: Women in Espionage Film & Television, 1962-1973, which I co-wrote with Louis Paul, where we pay homage to Francis’ cult TV spy series Honey West.

httpv://www.youtube.com/watch?v=KPK_eZJLMtM

Anne Francis (born on September 16, 1930 in Ossining, New York) had a long career before she starred as TV’s first female private detective cum secret agent Honey West.  She began as a child model and soon progressed to appearing on Broadway and in a number of radio soap operas.  In the late forties Hollywood beckoned but after appearing in few minor roles Francis returned to New York.  She appeared in a number of live television productions and hosted the NBC series Versatile Varieties from 1949 through 1950.  Darryl Zanuck took notice of her and signed her to a contract with 20th Century-Fox.  After three years she left Fox and signed with MGM where she starred in some of her most memorable films including Bad Day at Black Rock (1954), Battle Cry (1955), Blackboard Jungle (1955) and Forbidden Planet (1956).  Francis went freelance in the late fifties and after appearing in a few films including Girl of the Night (1960) and The Crowded Sky (1960) she concentrated on television, which included an appearance in “Jess-Belle” one of the best episodes of The Twilight Zone.

Francis’ journey to being cast as Honey West began at the famed Brown Derby.  Writing in her autobiography entitled Voices from Home: An Inner Journey, Anne Francis stated, “One day I had lunch with my agent at the Brown Derby.  Although he knew I had not wanted to be tied down to a series…what kind of project might I find interesting?  I presented the idea of a kind of female Amos Burke with lots of action, glamour and a comedic flair.”  The next day Francis’ agent received a phone call from producer Aaron Spelling who had seen her at the restaurant and thought she would be perfect for the role of Honey West.  Francis was first introduced as the slinky detective in the episode entitled “Who Killed the Jackpot?” (4/21/65) on Burke’s Law as West and Amos Burke (Gene Barry) find themselves investigating the same murder.

Honey West began as a regular TV series that September.  It was based on the popular series of novels by Gloria and Forest G. “Skip” Fickling beginning with This Girl for Hire in 1957 and ending with Honey on Her Tail in 1971.  However the pulp Honey was always losing her clothes and being rescued in the nick of time by her loyal and virtuous boyfriend Sam Bolt.  The series kept the boyfriend (played by John Ericson) but the TV Honey had no problems keeping her exotic wardrobe on.  It was one of the first continuing drama series to star an actress in the lead role.  Honey West was a private eye who relied first on “smiles, sweet talk and flapping eyelashes” to outwit the bad guys.  But if things got rough or out of hand she was an expert in karate.  (Francis trained with Hawaiian instructor Gordon Doversola to look authentic in the close up shots.)  If things got really desperate, Honey would reach into her black alligator attaché case and pull out a pearl-handled derringer or a fountain pen that sprays tear gas or exploding earrings or even a walkie-talkie concealed in a jeweled compact.  And Honey could be rest-assured that her adoring boyfriend/ partner was always nearby.  No expense was spared in outfitting Honey with nothing but the best.  She drove a Cobra sports car equipped with a telephone and $50,000 was budgeted for her wardrobe, which included “a tiger-skin bathing suit with matching cape, an all-black ensemble consisting of leotards, boots, turtle-neck shirt, belt and gloves, and a billowing ball gown that converts into culottes for chase sequences.”  And Honey also owned a man-hating ocelot named Bruce Biteabit, which she had tied to a silver leash.

Produced by Aaron Spelling, Honey West first aired on September 17, 1965 on ABC opposite Gomer Pyle, USMC on CBS and the second half of The Sammy Davis Jr. Show on NBC.  The premiere episode entitled “The Swingin’ Mrs. Jones” had Honey going undercover in high society to bust up a blackmail ring.  More of a private eye than spy series, Honey investigated such standard crimes such as arson, kidnappings and robberies usually showcased on detective series.  In most cases, Honey must masquerade as someone to uncover the culprit.  In “The Princess and the Paupers” (10/29/65) Honey grooves with the record business crowd to locate kidnapped a rock ‘n’ roll singer (Bobby Sherman).  “A Nice Little Till to Tap” (12/31/65) features Honey as a bank teller who is being wooed by a suave thief (Anthony Eisley) for inside information.  The 2/11/66 episode featured Francis in a dual role as Honey and as her look-a-like Pandora Fox, a thief who sets Honey up for a heist of missing furs.

Honey West received mostly fair reviews during its run while Anne Francis received relatively good reviews for her performances. For example, Variety noted that “ the good meat of this little half hour continues to be on the fine bones of star Anne Francis rather than the scripts.”  One exception was Cleveland Amory writing in TV Guide who nicknamed her character “Jane Blonde” and commented, “The very casting—or miscasting—of Miss Francis to begin with should set your mind at ease: Her unsuitability for the role is proof it’s a spoof.”    Most critics disagreed and Francis went on to win the Golden Globe Award for “Best Actress in a Drama Series.”  She was also nominated for an Emmy award but lost to Barbara Stanwyck in The Big Valley.

Despite excellent ratings, ABC cancelled Honey West after only one season.  According to Anne Francis, “They [ABC] were able to buy The Avengers from England for less than it cost to produce our show.”

STELLA!

Stella Stevens and Carol Lynley reenact a scene from The Poseidon Adventure at the Castro Theatre’s salute to the movie and below Stella is interviewed on a local LA TV show.

I’ve always liked Stella Stevens for the most part from Li’l Abner to Girls! Girls! Girls! to The Nutty Professor to The Silencers to The Ballad of Cable Hogue to The Mad Room and finally to Poseidon. Stella usually gives every part her all and is very good but when Stella is bad, she is bad (Sol Madrid, Where Angels Go, Trouble Follows anyone?).

Though it is wonderful that she has remained so active and does not lack for work, the word “selective” is obviously not part of her vocabulary based on the titles alone of some of her later movies—The Terror Within II, Little Devils: The Birth, Attack of the 5’2” Women, The Granny and Bikini Motel.

httpv://www.youtube.com/watch?v=aSsU3B-G1TU

httpv://www.youtube.com/watch?v=Z5cx-dSplIE

THE WORLD OF NANCY KWAN

Nancy Kwan was always one of my favorite 60s actresses. She is just darling in Flower Drum Song (1961) and kicks ass in The Wrecking Crew (1969). And most TV fans still can see the iconic image of Kwan on the beach during the opening montage of the hit series Hawaii 5-O.

Below is the trailer to the documentary about her success in Hollywood called Nancy Kwan: To Whom It May Concern. It is on my must have list of DVDs to purchase in 2011.

httpv://www.youtube.com/watch?v=rkhagrR-2N4

MOLLS OF BATMAN 5 – TISHA STERLING

Arguably blonde Tisha Sterling was one of the most gorgeous gals to ever go up against Gotham City’s crime fighting duo. As Ma Parker’s not-too-bright daughter Legs, she just reveled in her mama’s nefarious crimes even though she was looked down upon for being a girl. Sterling at first is clad in Daisy Mae cut-offs to show off her shapely gams, but they are hidden under a tight fitting prison uniform for all of episode two.

“The Greatest Mother of Them All” and “Ma Parker,” which originally aired on October 5 & 6, 1966, were two of the most violent Batman episodes ever. A spoof on the real life vicious thirties thug Ma Barker, Shelley Winters’ Ma Parker was a machine gun toting mother from hell who with her brood rob the women at the Mother of the Year awards. Ma loves her boys, but keeps putting daughter Legs down for being useless (“Girls just don’t belong in crime!”). This makes Legs even more determined to be just as mean as her brothers Pretty Boy, Machine Gun, and Mad Dog. After each bullet riddled crime, one of the Parker boys is captured. Soon Batman and Robin nab Ma and Legs at a nursing home and escort the felonious family off to the Big House. However, that was the old lady’s plan all along as she takes over the pen with help from some crooked guards, one of whom sets a bomb to go off in the Batmobile when it goes over 70 mph.

Though Robin whines he is starving and wants Batman to speed up, the law abiding crime fighter doesn’t and suspects a trap based on what the prison guard said. After stopping the car and finding the dynamite, they head back to the prison, Robin’s hunger be damned. There they are ambushed by Ma and her boys who hook the Dynamic Duo up to two electric chairs. Ma then leaves Legs or as she is now known prisoner 35-23-34 to watch them fry, but Batman outwits the half-wit by playing into her insecurities (“I’m as good as any boy even if Ma doesn’t think so!”) getting her to think Ma is double-crossing her. Left alone, Batman is able to get a message to Alfred who has the city cut off the electricity to the jail. After surprising the Parkers, a fight ensues and this time Ma and her brood really wind up behind bars for good.

Lovely Tisha Sterling holds her own playing opposite the scene-chewing Winters and an unbilled Julie Newmar as Catwoman who appears in episode two. Too bad she doesn’t get a good capture scene at the end as she just slips away while Batman and Robin arrest Ma. To read more about Sterling who starred in such movies as Village of the Giants, Coogan’s Bluff with Clint Eastwood, and Norwood with Glen Campbell, read my book Fantasy Femmes of Sixties Cinema now available in revised soft cover edition. Below are her remarks about working on Batman from it:

“Shelley Winters was a bitch and was a holy terror to me.  She didn’t want to be there—then she slipped and hurt her back on the set which made her angry.  After I became a much more serious actress and we re-connected [on the 1971 TV-movie A Death of Innocence], she loved me.  And I still love her to this day.  She’s a marvelous teacher at the Actors Studio.  And she is a very interesting, fabulous woman.  I love her honesty and forthrightness.  She’s been known to be extremely hard to work with but it’s just Shelley.”

Next Bat Time, Next Bat Channel: Joan Staley as Okie Annie