CIAO, BELLA!

During the mid-Sixties a number of American actors (including Sean Flynn, Brett Halsey, Ken Clark, George Nader, Peter Lupus etc.) went to Europe, Italy in particular, to star in movies of the spy and spaghetti western variety. There wasn’t as much opportunity for American actresses but two who gave la dolce vita a whirl were Tina Louise and Pamela Tiffin.

Tina Louise ran off to Italy in 1959 or so after turning down a lead role opposite Cary Grant in the hit comedy Operation Petticoat. When she returned in 1963, the busy red-haired beauty appeared in For Those Who Think Young with Pamela Tiffin, got accepted into the Actor’s Studio in New York, and co-starred with Carol Burnett in the hit Broadway musical Fade In, Fade Out all before getting stranded on Gilligan’s Island. In between seasons of the TV show, Tina journeyed back to Italy to star opposite one of that country’s most popular leading comics, Ugo Tognazzi. His name unfortunately meant nothing in the U.S. so their film Il Fischio al Naso (1966) was never released here. Too bad because based on the trailer Tina looks absolutely stunning in it.

Below is the trailer for Pamela Tiffin’s first Italian production the trilogy Oggi, Domani, Dopodomani (1966) where she co-starred opposite Marcello Mastroianni in “The Blonde Wife” segment. After Sue Lyon didn’t work out, the brunette beauty took over for her hesitantly because she knew she would have to bleach her hair. Once she did, Pamela realized blondes do have more fun and never went back to brown. The movie as is never made it to the U.S. but in 1968 MGM released a re-edited version as Kiss the Other Sheik with the main focus on Tiffin’s segment.

FANGS FOR THE MEMORIES

Per Celeste Yarnall (pictured with Vampira), Vampire Con was a huge success. Click here to read Fangoria Magazine‘s short piece about the screening of The Velvet Vampire.

VIVA LAS ELVIS!

In honor of Elvis Presley’s birthday, Turner Classic Movies is running an all-day marathon of his movies on Sunday August 16. Below are some of the films being aired, with brief comments from some of the starlets who worked with the King:

6:00am Viva Las Vegas
“He was the sweetest, nicest, most insecure guy I ever met. He liked the same people around him all the time. Lori Williams, Drive-in Dream Girls

7:30am Spinout
“Elvis was extremely good-looking, very sexy, and a major gentleman. He was a joy to work with especially in the scenes when he’d sing to you. Can you think of anything nicer than to be serenaded by Elvis?” Diane McBain, Fantasy Femmes of Sixties Cinema

9:15am Blue Hawaii
“My first reaction was that I thought he was just so handsome. Elvis was also extraordinarily polite with me because I think I was the only girl there that he didn’t date.” Darlene Tompkins, Drive-in Dream Girls

11:00am Girls! Girls! Girls!
“Elvis did not like Girls! Girls! Girls! He was very uncomfortable with performing. He also felt very unsure of himself as far as acting went. He deferred to me continually because he felt I knew more about acting, whatever the hell that is.” Laurel Goodwin, Drive-in Dream Girls

4:30pm Girl Happy
“On the set, Elvis’ guys in his entourage kept inviting me to his house and I kept declining because I was still doing Under the Yum Yum Tree on stage at night. But even if I could have gone I wouldn’t have. I wasn’t familiar with Elvis Presley’s music and wasn’t interested in hearing it. Not knowing much about him (except that he was very friendly and polite to me), I wasn’t aware of his importance at the time.” Gail Gerber aka Gail Gilmore, Trippin’ with Terry Southern

6:15pm Clambake
“Elvis Presley was divine—what a dream! He was so sweet and a total gentleman. He also paid attention to you if you had a problem, like I did. While we’d be waiting for a shot to be set up, we’d talk in a corner and he’d listen. He wasn’t just fluff.” Suzie Kaye, Drive-in Dream Girls

8:00pm It Happened At the World’s Fair
“When I arrived at the World’s Fair, I saw Elvis whom I had never met before over the heads of all these people. You talk about crowds! It was unbelievable. People everywhere! After we finished the first morning’s sequences they had an electric car for Elvis and me to use. They had to set up barricades and use hundreds of policemen to hold back the crowds just to get us out of there.” Joan O’Brien, Fantasy Femmes of Sixties Cinema

2:00am Roustabout
“My little snotty comments to my agents about every Joan in town [Joan Blackman, Joan O’Brien, Joan Freeman] working with Elvis except me helped me land this film. Elvis was fun to work with. He was just a nice, nice man.” Joan Staley, Fantasy Femmes of Sixties Cinema

4:00am The Trouble with Girls
“Elvis was so polite and such a southern gentleman. Throughout the film, if Peter Tewksbury [the director] wanted a certain reaction from you during your close-up, he’d tell the other actor off-camera to do whatever he needed to do to get that reaction. So sometimes there were just crazy things going on off-camera that the audience just has no idea. Peter did that a lot with Elvis. Peter would tell me, ‘I don’t care what you do but this is what I need from him.’ I’d do things but Elvis was so spontaneous to work with.” Marlyn Mason, Drive-in Dream Girls