Tom Lisanti is an award-winning author/film historian specializing in1960s/1970s film and television. He began writing professionally in 1998. His newest book is Ryan’s Hope: An Oral History of Daytime’s Groundbreaking Soap from Citadel Press/Kensington Books released in October 2023. Look for his next book, Dueling Harlows: The Race to Bring the Actress’ Life to the Silver Screen from McFarland & Company in late spring 2024.
I am a guest tonight on the radio program TV Confidentialairing tonight 7pm ET 4pm PT on KSAV.org Internet Radio.
I will be promoting my newest book Talking Sixties Drive-In Movies and will be talking Frankie Avalon, Annette Funicello, Elvis Presley, Bobbi Shaw, Pamela Tiffin, Gail Gerber, Christopher Riordan, Diane Bond, Nancy Czar, Shelley Fabares, Irene Tsu, Celeste Yarnall, Steven Rogers, Aron Kincaid, Arlene Charles, Edy Williams, and all our fave 1960s teenage silver screen stars.
Climate change is rearing its head in NYC this week since it is almost mid-October and having hot humid days forcing me to turn on the air conditioning all week. The strange hot weather made me want to have a Ski Party (1965) personified by the “Lots, Lots More” song performed by Frankie Avalon. For me, this is the best musical number in the movie and perhaps the entire Beach Party series as the bathing suit clad college boys and girls are shimmying away poolside in the open cold air with snow-covered mountains in the background.
The first scene features beach party regulars Salli Sachse and Patti Chandler leading the girls to fight to regain the boys’ attention away from Swedish blonde bombshell Nita (Bobbi Shaw). The song begins with Frankie flanked by beach party regular Luree Holmes (daughter of AIP studio head James Nicholson) and Salli Sachse. As he gets up and moves to the side of the pool, two dudes (one being big time surfer and another beach party regular Mickey Dora) hop up. Frankie makes his way over to Patti Chandler and Playboy Playmate Jo Collins as their dancing partners blonde hunk Aron Kincaid and another dive into the pool. Frankie then dances his way over to AIP beach party movie first timer Mikki Jamison (though she had a rival beach movie Beach Ball already under her belt) and then his leading lady Deborah Walley.
The song ends with hunky but not to bright beach boys Steven Rogers (another AIP first timer) and beach party regular Mike Nader trying to score with Bobbi Shaw’s winsome Nita. Also in the movie are Dwayne Hickman, Yvonne Craig, Robert Q. Lewis, Mary Hughes, Christopher Riordan, with musical numbers by James Brown and the Flames, Leslie Gore, and The Hondells.
Being able to sneak in a pool scene with bikini-clad cuties and shirtless surfer boys in the middle of snow covered Sun Valley was genius and just what the teenage audience wanted. “Lots Lots More” would just have been a catchy song warbled by Frankie Avalon with twistin’ beach babes dancing beside him if it were not for Rafkin’s unusual camera angles capturing the curvy features of Walley, Chandler, Jamison, and Collins in particular and sometimes of just their torsos. HE also positioned the camera on a low angle looking up at the gals a few times, making them look almost Amazonian-like. This style would be used even more ingeniously by Russ Meyer when shooting his wildcats in the following year’s Faster Pussycat! Kill! Kill!
Available now in soft cover from BearManor Media! My newest book Talking Sixties Drive-in Movies!
A collection of profiles, interviews, and tributes about actors and films popular with the drive-in movie crowd during the sixties. Interviewees include Arlene Charles, Nancy Czar, Shelley Fabares, Gail Gerber, Christopher Riordan, and Irene Tsu talking Elvis Presley musicals; Bobbi Shaw and Steven Rogers talking beach party movies; Jan Watson and Diane Bond talking spy spoofs; Nicoletta Machiavelli talking spaghetti westerns; Mimsy Farmer, Maggie Thrett, Lara Lindsay, and Lada Edmund, Jr. talking alienated youth movies; and Valerie Starrett talking biker films. Some of the chapters center on one movie or a genre while others are career profiles with a main focus on one or two drive-in movies.