R.I.P. Shelby Grant

I was saddened to learn that Sixties starlet Shelby Grant passed away on June 25, 2011 of a brain aneurysm. Married to actor Chad Everett since 1966, she is most remembered as being one of the Flint Girls in Our Man Flint (1966). Below is a profile excerpted from my book Film Fatales (co-written with Louis Paul).

Shelby Grant was born Brenda Thompson on October 19th, 1940 in Orlando, Oklahoma.  After graduating college she became a schoolteacher but left the profession when she was discovered by a 20th Century-Fox talent scout and put under contract.  Needing a more original name, she told columnist Hedda Hopper that she “drew Shelby Grant out of a hat.”  Her first roles at Fox were bit roles playing a party guest in The Pleasure Seekers (1964) and a nurse in Fantastic Voyage (1966).  Nevertheless, Grant got noticed and due to her poise, offbeat beauty, and talent she was voted a Hollywood Deb Star for 1966.

The classic spy spoof Our Man Flint (1966) stars James Coburn as Derek Flint, a hip high-living secret agent sharing his luxurious New York penthouse with four luscious international beauties— Leslie (Grant), Anna (Sigrid Valdis), Gina (Gianna Serra) and Sakito (Helen Funai).  Their ideal living arrangement is interrupted by Lloyd Cramden (Lee J. Cobb) the head of ZOWIE when a computer picksFlint as the most qualified agent to stop an organization called GALAXY from controlling the world through its weather.  As the shapely French cutie, Shelby Grant’s first appears on screen shaving Flint to the consternation of Kramden who has come to personally plead with Flint to accept his assignment.  After Flint refuses, he accompanies his lady friends (in beautifully designed futuristic evening gowns by Ray Aghayan) to one of New York’s most fashionable restaurants.  As Flint is dancing with Sakito, one of GALAXY’s assassins’ Gila (Gila Golan), thrusts a poison dart at Flint.  It misses him but instead hits Cramden.  The murder attempt forces Flint to change his mind and flush out GALAXY.  He bids his women adieu and heads to France when he learns that three of GALAXY’s top agents are operating out of Marseilles. Flint is seized and taken to a remote volcanic island off of Italy where he learns his lovely roommates have been programmed into pleasure units. Flint finds Leslie and the rest of the girls in the “reward rooms.”  He de-programs them (“You are not a pleasure unit”) and sabotages GALAXY’s weather controlling machine.  As the island paradise blows upFlint gets his girls out of danger by putting them in barrels and floating them to safety.

As with the other actresses, Grant plays her part enthusiastically.  She commented to Hedda Hopper, “I had some good action, a chic wardrobe and featured billing.”  However, most of the time Grant and the other girls are there to just fawn over Coburn’s Flint.  They are forever kissing him or looking adoringly into his eyes.  So it is a bit surprising—or maybe not—that by the film’s end they heartily accept Gila into their circle.  Most of Grant’s reviews were like Variety, which found she and the others “nice to look at” or Leo Mishkin of the Morning Telegraph who wrote “Gila Golan, Gianna Serra and all the others decorate the scenery most attractively.”  In the film’s sequel the number of girls is reduced from four to three with none of the actresses from Our Man Flint reprising their roles.

httpv://youtu.be/pzSMMs73pq0

Grant curtailed her acting career to raise a family but did appear in the low-budget cult horror movie The Witchmaker in 1969 and a handful of episodes in her husband’s popular TV series Medical Center during the Seventies as seen below.

httpv://youtu.be/_ky2QEQQ6EY

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COME ABOARD! THEY’RE EXPECTING YOU!

The Elvis Cruise sets sail January 12th and it is like an episode of The Love Boat with guests Marlyn Mason, Celeste Yarnall, Christopher Riordan, Cynthia Pepper, and Chris Noel (pictured with the King). All are Presley co-stars from his movies. Click here for more information.

You can read comments about working with him from Celeste and Chris in my book Fantasy Femmes of Sixties Cinema and from Marlyn and Cynthia in my book Drive-in Dream Girls.

httpv://youtu.be/ZmUlKPthrag

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PLEASURE SEEKING

 

 

As a kid during the Seventies, I was an avid watcher of the ABC 4:30 Movie in the NY metropolitan area. One of the many films that they showed over and over was The Pleasure Seekers (1964) that became a favorite of mine. Ann-Margret, Carol Lynley and Pamela Tiffin are three swingin’ gals living in Madrid out to trap themeselves a man. Below are two of my favorite scenes. First where pouty Carol Lynley (looking simply gorgeous) finally gets a chance with her married boss Brian Keith only to be acosted by his wife Gene Tierney in the ladies room ala Patty Duke and Susan Hayward in Valley of the Dolls (the films share the same producer). She is rescued by playboy reporter Gardner McKay and they go off to get drunk. The second (after fast forwarding through Ann-Margret and dreamy Andre Lawrence) has naive Pamela Tiffin thinking she is going to marry rich Spaniard Tony Franciosa only to learn from his elegant mother Isobel Elsom that she was had by the cad.

httpv://youtu.be/2es-lfRSDOI

httpv://youtu.be/IkWwTA14Vww

httpv://youtu.be/ZdGKDmpiNqg

 

DVD Review: The Picasso Summer

I recently purchased from the Warner Bros. Archive, the DVD of the hard-to-find film The Picasso Summer (1969), which features three animated sequences bringing the artist’s work to life. It stars Albert Finney as an art lover and discontented California architect and Yvette Mimieux as his adoring young wife. After attending an art opening full of pretentious, oh-so-hip people, Finney decides to spend his vacation in France trying to track down Pablo Picasso instead of lolling at home. Mimieux is all for the idea and away they go. After they arrive, they bicycle around town trying to find the elusive artist’s home. Some of the movie’s most amusing moments are scenes with locals giving directions to where they think Picasso lives, which turn out to be incorrect. Finally, the couple stumbles upon his home only to learn he never lets tourists in. Mimieux is content in enjoying the rest of the week in France, but Finney is determined to meet the artist to her chagrin. An argument sends him out at night where he learns that one of Picasso’s dearest friends, matador Luis Miguel Dominguin (playing himself), is living close by in Spain. Finney deserts Mimieux to fly to meet him, but has to show his prowess in the bullring before Dominguin will help. (These scenes were a bit too gory for me.) She meanwhile meets a blind artist and his wife whom she spends the day with. Finney returns and the couple reconciles at the beach resigned to the fact that they will never meet the artist as they stroll along the seashore.

The Picasso Summer has an interesting history and was considered a disaster when completed. Serge Bourguignon was hired to direct from a screenplay by Ray Bradbury, based on his 1957 short story called “In a Season of Calm Weather.” Bradbury always envisioned the tale featuring animated footage, which Bourguignon incorporated. The film’s first causality was the loss of Pablo Picasso’s participation due to a dust up with his friend Dominguin, who was the go-between for the artist and the producers. The final cut was detested by Bradbury (who claimed the director chucked his script and improvised scenes) and almost came to blows with the director at an early screening. Warner Bros.-Seven Arts agreed with Bradbury and refused to release the movie.

TV director Robert Sallin was then hired to re-shoot. Some of Bourguignon’s footage was edited into the new final print with Bradbury now only receiving story credit. The two different styles of filming, coupled with the animated segments, makes the film a bit disjointed but sill watchable. The studio, however, was disappointed with Sallin’s cut as well, so they shelved it. The Picasso Summer did not see the light of day until 1973 when it aired on television. Subsequent broadcasts excised the animated segments.

It is a shame The Picasso Summer never received a theatrical release because I thought it was just a wonderful and entertaining travelogue that features all the splashy gimmicks of the day including split screens and freeze frames. Finney and Mimieux make a handsome couple, as they bicycle and strolled the beautiful French countryside. I watched the movie with actress Gail Gerber and my partner, Ernie. While they liked Finney as the malcontent architect whose early mid-life crisis spurs him to meet Picasso to give his life meaning, they were not impressed at all with Mimieux. Gail found her bland and my partner commented, “She is so bad she makes Carol Lynley look like a good actress.” How rude! Yes, Mimiuex did not have an edge like Tuesday Weld or get a chance to play varied parts like Lynley (two actresses she was similar in looks to and often compared). However, for me, her waif-like quality worked well here, as she goes from adoring wife trying to please her husband to finally saying enough-is-enough as she refuses to go off toSpain. I, however, was more disappointment in the duo’s physical appearance. Mimiuex was quite “hippy” in her bikini and doughboy Finney badly out of shape for a guy in his thirties.

As for the animated sequences by Wes Herschensohn, they are an art lover’s dream, as is the whole movie since Picasso’s work is on display throughout. The animation is so well crafted and aided by a lush score by Michel Legrand (listen below), just fabulous to watch. It would have looked spectacular on the big screen for sure, especially if the audience was high as the younger generation probably would have been back in ‘69. But take it from me, even cold-stoned-sober, the movie is an undiscovered delight.

httpv://youtu.be/_8pTP_x99zU

 

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