COME GREET THE PLEASURE SEEKERS!

Two of my fave actresses of all time, Carol Lynley and Pamela Tiffin, together in The Pleasure Seekers (1964) with Ann-Margret. I know, I know I keep pushing this movie on my Blog but when oh when will this 60s camp classic finally get a DVD release!?!


HAPPY BIRTHDAY CAROL LYNLEY!

In celebration of Carol’s 67th birthday, click below to view a wonderful clip tribute by her dear friend entertainment reporter, Nelson Aspen:


SET THOSE DVRS, YOU LITTLE HORNPONE

On Friday Feb. 6 at 11:30PM EST, the very entertaining musical Lil’Abner makes its debut on Turner Classic Movies and it is one of my favorites. All of Al Capp’s comic Dogpatch characters come to life in a big colorful musical based on the Broadway hit with energetic dance numbers choreographed by Michael Kidd, a rousing song score, and a first-rate cast chock full of scantily clad starlets and muscle Gods. Who can ask for anything more?

As Sadie Hawkins Day nears, Daisy Mae (Leslie Parrish) hopes to catch naive studly Li’l Abner (Peter Palmer) in Dogpatch’s traditional race to finally win his hand at marriage. But burly Earthquake McGoon (Bern Hoffman) wants Daisy and dumb ole Li’l Abner justs wants to pass the days away fishin’. Senator Phogbound (Ted Thurston) then spoils the fun when he informs the Dogpatchers that their town is to be used as ground zero for atomic bomb testing. To save their homes, they need to come up with one reason Dogpatch is necessary to the country. They then put they faith in Mammy Yokum’s (Billie Hayes) Yokumberry tonic, which Abner has been taking all his life, and turns out of shape men into muscle Gods. Scheming Gen. Bullmoose (Howard St. John) wants his hands on the tonic to get rich and sends sultry Appassionata Von Climax (Stella Stevens) to seduce it from dumb ole Abner who treks to Washington to plead the town’s case. Does the big lunk give in to her wiles or does he save Dogpatch from going ka-boom?

Also in the cast are Stubby Kaye as Marryin’ Sam (who leads the cast in the show stopper “Jubilation T. Cornpone”), Julie Newmar as Stupefyin’ Jones, Joe E. Marks as Pappy Yokum, Al Nesor as Evil Eye Fleagle, and Carmen Alvarez as Moonbeam McSwine.

Trivia:
Actress Marjorie Helen won the role of Daisy Mae over 100s of other hopefuls. She had toiled playing bit parts in A productions and leads in Grade Z movies. Knowing this would be her big break, her agents suggested she change her name and ta-da Leslie Parrish was born.

Tina Louise originated the role of Appassionata Von Climax on Broadway and Paramount Pictures begged and cajoled her to reprise the part in the movie. Ms. Louise had just won a Golden Globe as Most Promising Female Newcomer for her film debut in God’s Little Acre and wanted to be considered a dramatic actress so she refused to give in. Newcomer Stella Stevens stepped in and then she too won a Golden Globe in the same category.

If you look closely, you’ll catch Jerry Lewis in an unbilled bit with Julie Newmar and among the Speedo-clad musclemen are bodybuilders are Brad Harris and Gordon Mitchell both of whom want on to star in Hercules-type movies in Europe.

VIVA LA LOUISE!

In 1959, after winning a Golden Globe for her performance in God’s Little Acre (1958) and starring in three films opposite megastars Richard Widmark, Robert Taylor, and Robert Ryan, fiery newcomer Tina Louise fled Hollywood because she felt the roles offered her were not worthy of her talent. I always wondered if Tina would have stuck around Hollywood if she would have copped roles that went to Stella Stevens or Jill St.John and would have had a much better film career than she did. Hopefully someone (and you know who you are out there) will write a book about her.

Tina landed in Europe and below is a clip of one of the “better” parts that came her way there. She played writer “George Sand” in Roberto Rossellini’s epic Viva l’Italia (1961) about Italian hero Guiseppi Garibaldi who attempted to unite the Italian states during the 1800s.

Below is a rare clip for this hard-to-find film. Jump to 3:42 for Tina’s entrance. Even for 1961, movie has a very strange feel to it.